By now, we’ve come to know Michael Rider’s approach at Celine: desirable clothes that bring joy through their colors and silhouettes, yet at the same time never let us forget that we’re watching a Celine fashion show—and no other. An identity that Michael Rider builds through the clothes, of course, but also through everything that surrounds them. Starting with the sets, which are always deeply grounded in reality, far removed from the idea of fashion suspended in an unattainable realm. This time, the runway unfolds inside a large white structure topped with a thatched roof, like a minimalist summer house that already foreshadows the spirit of Summer 27. Or even the photos posted on social media immediately after the show, which don’t feature the classic head-on runway shots but rather candid shots and details—where it’s not the look that matters, but the authenticity it conveys.
For Summer 27, Michael Rider once again opts for authenticity—and once again, it’s a breath of fresh air. Perhaps more formal than previous collections, but never stiff. The runway features lightweight tailored suits with relaxed proportions, jackets worn as dresses, loose-fitting pants, and elongated silhouettes, along with simple long black dresses cinched at the waist with oversized gold belts. White takes center stage in summer suits and tailored pieces, while beige, camel, navy, and black form a seemingly classic palette that is suddenly interrupted by bright red, hot pink, and electric blue. Alongside the monochromatic looks come floral prints, graphic patterns, and lighter dresses, which further disrupt the wardrobe’s composure.
Celine’s accessories are never just a detail—think maxi belts with sculptural gold buckles, bags carried under the arm or draped naturally over the shoulder—while sunglasses, boots, pumps, and small styling details make every look personal. Even when the silhouette is structured, there’s always something that seems slightly off—in just the right way—such as a belt worn low, an open jacket, a bag held close to the body, or a bare shoulder.
In short, Michael Rider doesn’t create new characters, but rather a wardrobe versatile enough to suit different characters. Some wear a suit, others a little black dress; some choose color, while others prefer a leather jacket or a print. They all seem to come from different places, and yet, when they start walking, they belong to the same world.
[📸 Instagram: celine; Courtesy of Celine]
